Szymanowski - Masks op. 34 - Richter
Karol Szymanowski (1882 - 1937) was the most celebrated Polish composer of the early 20th century. His early works show the influence of the late Romantic German school and works of Alexander Scriabin. Later, he developed his own impressionistic and partially atonal style. His third period was influenced by the folk music of the Polish Górale people.
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https://youtu.be/gsachAwgT4U
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"The Masques are the three pieces for piano composed in 1915-1916. Originally intended as the first two parts, but finally adopted as parts two and three, Tantris the Buffoon and Don Juan's Serenade were written in the summer and autumn of 1915, whereas Sheherazade, planned as the concluding part yet finally moved to the beginning, was completed in 1916. Szymanowski dedicated each of the three miniatures to a different pianist: the first one to Alexander (Sasha) Dubyansky (who would premiere Masques in St Petersburg on 12th October 1916); the second one to Harry Neuhaus; and the third one to Artur Rubinstein."
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"With one of the most complicated piano textures, Masques are a big skill-testing challenge to pianists and have therefore featured in the repertoires of such top-class musicians as Artur Rubinstein. Szymanowski himself liked playing Masques and did a recording in 1935. It was released by Tonpress in 1976, 1980 and 1982. Recently the work found an outstanding interpreter in Piotr Anderszewski" (by Anna Iwanicka-Nijakowska and Piotr Deptuch)
https://en.wikipedia.org/wiki/Karol_Szymanowski
Karol Szymanowski (1882 - 1937) was the most celebrated Polish composer of the early 20th century. His early works show the influence of the late Romantic German school and works of Alexander Scriabin. Later, he developed his own impressionistic and partially atonal style. His third period was influenced by the folk music of the Polish Górale people.
-
https://youtu.be/gsachAwgT4U
-
"The Masques are the three pieces for piano composed in 1915-1916. Originally intended as the first two parts, but finally adopted as parts two and three, Tantris the Buffoon and Don Juan's Serenade were written in the summer and autumn of 1915, whereas Sheherazade, planned as the concluding part yet finally moved to the beginning, was completed in 1916. Szymanowski dedicated each of the three miniatures to a different pianist: the first one to Alexander (Sasha) Dubyansky (who would premiere Masques in St Petersburg on 12th October 1916); the second one to Harry Neuhaus; and the third one to Artur Rubinstein."
-
"With one of the most complicated piano textures, Masques are a big skill-testing challenge to pianists and have therefore featured in the repertoires of such top-class musicians as Artur Rubinstein. Szymanowski himself liked playing Masques and did a recording in 1935. It was released by Tonpress in 1976, 1980 and 1982. Recently the work found an outstanding interpreter in Piotr Anderszewski" (by Anna Iwanicka-Nijakowska and Piotr Deptuch)
https://en.wikipedia.org/wiki/Karol_Szymanowski
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У записи 4 лайков,
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0 репостов,
96 просмотров.
Эту запись оставил(а) на своей стене Алексей Дурнев
