"обозначается также - в качестве духовной - проблема...

"it is also indicated - as spiritual - the problem of choosing a" companion of life "(the peasant and any primordial person chooses the mother of his children), moreover, in Buddhist India, just like in Babylon, in Rome - as in modern cities. Ibsen’s marriage appears, “The highest spiritual community”, in which both sides are “free,” namely, free as intelligentsia, and free from the plant blood pressure that wants to continue. And now the Show is gaining the spirit to say, “that a Woman cannot be emancipated if she does not push away sv her femininity, her duty to her husband, to her children, to society, to the law and to everything - with the exception of her duty to herself. ”* A woman of peasantry, a peasant woman is a mother. she’s been thinking since childhood. Now Ibsen’s woman, a friend, the heroine of a whole western city literature from the northern drama to the Parisian novel appears. Instead of children she has “emotional conflicts”, marriage is some kind of needlework like embroidery: the main thing here, it turns out, “understand d friend's friend. " It is absolutely unimportant that the American lady does not find sufficient reason to have children, because she does not want to miss a single season, the Parisian - because she is afraid that her lover will leave her, the Ibsenian heroine - because she "belongs to herself." They all belong to themselves, and they are all barren. "

quote from O. Spengler "Sunset of Europe" vol. 2. Part 2: Soul and City.

sculpture of Giacometti 20th of the 20th century. "Woman spoon." primitivism.