"Talea", in Latin, means "cut". In medieval music, the term refers to a repeated rhythmic pattern on which is grafted a configuration of heights repeated or not coinciding with the first and the so-called "color".
In Gérard Grisey’s Talea, an initial idea is gradually excised—elements removed and others taking their place. In two parts played without pause, the work is intended to - in the composer’s words - “express two aspects or, more precisely, two auditory angles of a single phenomenon.” But his concise description feels inadequate to describe the experience of hearing the score.
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https://youtu.be/glj_JTARhC0
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"...From a perceptual point of view, the first part appears to me as a relentless process, a veritable machine for making freedom that will emerge in the second part. The process of the latter is indeed pierced with emergencies more or less irrational, kind of reminders of the first part, which gradually become colored by the new context until becoming unrecognizable. These wildflowers, these wild grasses pushed into the interstices of the machine, grow in importance and then overflow to give the sections they have parasitized from within an entirely unexpected coloring..."(Gerard Grisey)
In Gérard Grisey’s Talea, an initial idea is gradually excised—elements removed and others taking their place. In two parts played without pause, the work is intended to - in the composer’s words - “express two aspects or, more precisely, two auditory angles of a single phenomenon.” But his concise description feels inadequate to describe the experience of hearing the score.
-
https://youtu.be/glj_JTARhC0
-
"...From a perceptual point of view, the first part appears to me as a relentless process, a veritable machine for making freedom that will emerge in the second part. The process of the latter is indeed pierced with emergencies more or less irrational, kind of reminders of the first part, which gradually become colored by the new context until becoming unrecognizable. These wildflowers, these wild grasses pushed into the interstices of the machine, grow in importance and then overflow to give the sections they have parasitized from within an entirely unexpected coloring..."(Gerard Grisey)
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Эту запись оставил(а) на своей стене Алексей Дурнев
