05.02.2019
Cornelius Cardew. Sailing The Seas Depends On The Helmsman (1974)
Cornelius Cardew (1936 – 1981) was an English experimental music composer. He was the fundamental figure in the British avant-garde of the 1960s. Cardew grew up in Cornwall and at the age of 17 entered the Royal Academy of Music in London. Cardew developed an interest in electronic music, and in 1957 traveled to Germany to study in the Cologne-based electronic music studio of composer Gottfried Michael Koenig. Cardew then joined Karlheinz Stockhausen as his assistant. Cardew stayed with Stockhausen for three years, working on the latter's massive multi-orchestral work Carré. "As a musician, he was outstanding because he was not only a good pianist but also a good improviser and I hired him to become my assistant in the late 50s and he worked with me for over three years. I gave him work to do which I have never given to any other musician, which means to work with me on the score I was composing. He was one of the best examples that you can find among musicians because he was well informed about the latest theories of composition as well as being a performer" Karlheinz Stockhausen said.
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https://youtu.be/Fm3SNk3ffoA
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Cornelius Cardew. Sailing The Seas Depends On The Helmsman (1974)
Cornelius Cardew (1936 – 1981) was an English experimental music composer. He was the fundamental figure in the British avant-garde of the 1960s. Cardew grew up in Cornwall and at the age of 17 entered the Royal Academy of Music in London. Cardew developed an interest in electronic music, and in 1957 traveled to Germany to study in the Cologne-based electronic music studio of composer Gottfried Michael Koenig. Cardew then joined Karlheinz Stockhausen as his assistant. Cardew stayed with Stockhausen for three years, working on the latter's massive multi-orchestral work Carré. "As a musician, he was outstanding because he was not only a good pianist but also a good improviser and I hired him to become my assistant in the late 50s and he worked with me for over three years. I gave him work to do which I have never given to any other musician, which means to work with me on the score I was composing. He was one of the best examples that you can find among musicians because he was well informed about the latest theories of composition as well as being a performer" Karlheinz Stockhausen said.
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https://youtu.be/Fm3SNk3ffoA
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Эту запись оставил(а) на своей стене Алексей Дурнев
