23.05.2019
Richard Cohn. "Musical Meter as Imagined and Experienced" (2017)
Modern researchers consider meter primarily as an element of heard and imagined the sound, only loosely modeled by music notation. This conception is quite different from the 18th-century score based one currently taught in Western curricula at all levels. Modern metric research encourages performers, improvisers, and listener/analysts to treat meter, like tonality, as a dynamic, pliable, form building aspect of musical structure and experience. It is applicable not only to classical scores but also to the partly improvised, aurally transmitted repertories that saturate the soundscape. It thus fulfills a set of ethical and pragmatic pedagogical criteria, at the same time as it invites musicians to think systematically about a central element of their art.
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Richard Cohn received his Ph.D. from the Eastman School of Music in 1987, with a dissertation on the transpositional combination in atonal music, under the supervision of Robert D. Morris. Early articles focused on the music of Bartók and Schenkerian theory.
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https://youtu.be/l0pZTcAsF1s
Richard Cohn. "Musical Meter as Imagined and Experienced" (2017)
Modern researchers consider meter primarily as an element of heard and imagined the sound, only loosely modeled by music notation. This conception is quite different from the 18th-century score based one currently taught in Western curricula at all levels. Modern metric research encourages performers, improvisers, and listener/analysts to treat meter, like tonality, as a dynamic, pliable, form building aspect of musical structure and experience. It is applicable not only to classical scores but also to the partly improvised, aurally transmitted repertories that saturate the soundscape. It thus fulfills a set of ethical and pragmatic pedagogical criteria, at the same time as it invites musicians to think systematically about a central element of their art.
-
Richard Cohn received his Ph.D. from the Eastman School of Music in 1987, with a dissertation on the transpositional combination in atonal music, under the supervision of Robert D. Morris. Early articles focused on the music of Bartók and Schenkerian theory.
-
https://youtu.be/l0pZTcAsF1s
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Эту запись оставил(а) на своей стене Алексей Дурнев
