Theodor W. Adorno, Valsette
Theodor W. Adorno (Theodor Ludwig Wiesengrund) (1903 - 1969) was a German philosopher and composer well-known for his critical theory of society. Adorno criticized jazz and popular music, viewing it as part of the culture industry, that contributes to the present sustainability of capitalism by rendering it "aesthetically pleasing" and "agreeable" (R. Scruton). Adorno's criticisms of jazz and championing of the Second Viennese School in opposition to Stravinsky have caused him to fall out of favor. The distinguished American scholar Richard Taruskin declared Adorno to be "preposterously over-rated."
Adorno states that a start to understanding the recognition in respect of any particular song hit may be made by drafting a scheme which divides the experience of recognition into its different components. All the factors people enumerate are interwoven to a degree that would be impossible to separate from one another in reality. Adorno's scheme is directed towards the different objective elements involved in the experience of recognition than the actual experience felt for the individual:
Vague remembrance
Actual identification
Subsumption by label
Self-reflection and act of recognition
Psychological transfer of recognition-authority to the object (Adorno, Theodor (1941). "Popular Music". Essays on Music.)
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https://youtu.be/VparEnqMogs
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Theodor W. Adorno (Theodor Ludwig Wiesengrund) (1903 - 1969) was a German philosopher and composer well-known for his critical theory of society. Adorno criticized jazz and popular music, viewing it as part of the culture industry, that contributes to the present sustainability of capitalism by rendering it "aesthetically pleasing" and "agreeable" (R. Scruton). Adorno's criticisms of jazz and championing of the Second Viennese School in opposition to Stravinsky have caused him to fall out of favor. The distinguished American scholar Richard Taruskin declared Adorno to be "preposterously over-rated."
Adorno states that a start to understanding the recognition in respect of any particular song hit may be made by drafting a scheme which divides the experience of recognition into its different components. All the factors people enumerate are interwoven to a degree that would be impossible to separate from one another in reality. Adorno's scheme is directed towards the different objective elements involved in the experience of recognition than the actual experience felt for the individual:
Vague remembrance
Actual identification
Subsumption by label
Self-reflection and act of recognition
Psychological transfer of recognition-authority to the object (Adorno, Theodor (1941). "Popular Music". Essays on Music.)
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https://youtu.be/VparEnqMogs
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Эту запись оставил(а) на своей стене Алексей Дурнев
